Book Review: The Art of Script Editing by Karol Griffiths
This insight into the art of script editing is a must-read not just for aspiring script readers and script editors, but also for emerging screenwriters as they master the skills of rewriting and working with notes. In her hugely informative book, experienced script editor Karol Griffiths guides you through the world of script analysis and […]
Developing Your Ideas
We know that if our script is a confusing mess of half-formed ideas it’s not going to impress anyone. The most compelling scripts are focused. They have their theme, characters and story all working together, and deliver sufficient intrigue and drive to keep the reader reading and ultimately the viewer watching. That might be the goal but great stories don’t (or […]
Capturing Your Ideas
Most writers I work with worry about their story ideas – are they any good, have they got enough of them, how do they spot the ideas that have the most potential, are they choosing the right ones to develop? I want to explore the start of that process and look at ways in which you […]
Character Development – Psychology for Screenwriters

Over recent months screenwriter and business psychologist Phil Lowe (@grumpyrabbit) has been blogging about how different psychology and personality theories can be used by screenwriters to develop characters. Here is a quick run-down of what’s on offer in this series of articles: Temperament theory goes right back to the ancient Greeks and divides us into four […]
Psychology for Screenwriters: Character Starting Points by Phil Lowe

I’ve reached the end of my series looking at how to use psychological models to build convincing characters with real dramatic potential. In this final blog, I wanted to mention a few which didn’t make the cut for various reasons, but which remind us firstly that there are several different ways to get a fix […]
Screenwriter Interview – Daisy Coulam
Daisy Coulam is a British screenwriter who has written for ‘EastEnders’ and ‘Casualty’ (BBC) and last year wrote the new hit ITV show ‘Grantchester’. Here she shares with Script Angel’s Hayley McKenzie her screenwriting journey. Hayley: Huge congratulations on the success of your drama Grantchester (ITV) which has been recommissioned for a second series. Can you tell me a […]
Mapping Character Change Using Psychological Theory by Phil Lowe
I’ve tended to focus in this series on personality models which emphasise how different we all are, as it’s generally the differences between characters which lead to drama. But let’s break the rule for the last in the series and look at a model which says we are all exactly the same when it comes […]
Writing Like Alfred Hitchcock by Tony Lee Moral
Alfred Hitchcock famously said that the three most vital elements of a film are ‘the script, the script, the script.’ He worked closely with his writers to construct the film, from the very beginning, on paper. Rarely would he take any writing credit himself, but guided his writers closely through every draft, paying attention to […]
Creating Your Character Mix Using Temperament Theory by Phil Lowe
After last month’s look at what drives your character, this time we’re back to the fundamentals of personality, thanks to an old chestnut that goes right back to the ancient Greeks – the idea that the human race can be divided into four temperaments (“temperament” being defined here as “a configuration of observable personality traits”). […]